Julian Gargiulo in aid of Diabetes Support
Group, Grand Cayman
The Ballroom, Ritz-Carlton Grand Cayman
Thursday 4 March
There can be a barrier between the
performer and the audience in any classical concert.
It’s just how things are; the performer performs, the audience appreciates, and
at the end they applaud if they like it.
It can make for a formal evening of
delineated roles and whilst there’s nothing wrong with sitting in front of a
master musician with your legs crossed and your opera glasses and monocles
hanging out, it’s not quite the experience that Julian Gargiulo likes to give
his punters.
Affinity
The New Yorker is, it goes without
saying, a mega-talented pianist who has performed everywhere from the Moscow
Conservatory Hall to Carnegie Hall over the years. He is renowned, and
rightly-so, for having an affinity with Schumann, Beethoven and Chopin.
But being a youthful and somewhat
mischievous chap with it, Gargiulo is not content to let the music do the
talking. He’s more comfortable jumping up from the piano stool to engage with
the audience, encouraging feedback on the music, inviting questions and
providing a constantly-evolving thread of humour.
“I love the fact that the drinking
happens before the concert,” he quipped in his opening monologue, but with good
reason. A relaxed audience is less likely to be reticent and passive than a
lubricated, interactive one.
Gargiulo’s first piece was the
self-penned Waltz in Four, a woozy, jazzy exploration which, said the composer,
had a particular story behind its name.
“My mother heard it and liked it
very much, so she said it was for her and I called it ‘Hijacked’,” he said.
Chopin and Schumann are both
celebrating 200 years in 2010, and Gargiulo paired his own Waltz in Four with
Chopin’s famous Waltz in C-Sharp minor, Opus 64 No. 2. It’s recognisable for
its use in many popular television series including Curb Your Enthusiasm, Larry
David’s spin-off of Seinfeld – a major influence on the stand-up side of
Gargiulo’s approach.
Joking apart, the evocative beauty
of Chopin was brilliantly served by a player with the passion and skill to put
the emotions of the triple-themed piece across.
Reet Petite
Gargiulo then bounced up out his
seat again to talk the audience through his next selection, another original of
his in three movements called the Petite Suite.
The piece was inspired, he said,
whilst he was watching the Puerto Rico Parade near his home. Regardless of its
genesis, the Petite Suite’s third movement – Puerto Rican Day Parade - is full
of flourishes and proudly ascending, dominant themes that first rise and then fall
through modulations of key and dynamic that recall the urgency of merengue and
the colour and life of San Juan’s Spanish streets, as exported to and then filtered
through New York’s particularly unique kaleidoscopic crucible of influences.
Robert Schumann’s Ich Grolle Nicht
and Opus 18 Arabesque followed with Gargiulo introducing them through an
explanation of the sorrowful tale itself which is rich in metaphor – and death.
“It’s a typical German happy ending
– everybody dies, it’s lovely,” he said, before teasing the audience that the
song would normally need a singer. Thankfully, he didn’t pick on the audience
member who, for a moment, looked terrified that he may be press-ganged into
action.
Interestingly, Gargiulo played Ich
Grolle Nicht either side of the Arabesque. Whereas the first run-through seemed
a pensive sigh of a melody, following the angrier Arabesque the same theme
seemed full of a slightly-more sinister regret.
It is in these moments of contextual
subtlety that genius lies; a reminder indeed of the transformative power of
music.
Dismembering You
How do you follow that? If you’re
Gargiulo, it’s by reciting a poem which was once called Sorrowful but was
renamed Dismembering You.
“I’d like to read to you if you’ll
bear with me – it’s 25 pages so I hope you’re comfortably-seated,” he said
before launching into an angsty piece of poetry heavy on the darker corners of New York and relationships.
If nothing else, it was brave and
provided a change of pace. The piece itself that followed, he said, was in two
parts and all about separation.
“You ruined the pace,” said an
audience member. Gargiulo invited her to discuss things later ‘at my place,
with champagne’. The crowd was beginning to get warmed up and next were two
more special moments from Frederick Chopin’s oeuvre: Etude Opus 10 No.9 and
Etude Opus 25 No. 12.
“An etude is basically a technical
exercise but these pieces actually made it to the concert halls,” he explained.
As the pieces galloped, preened and
snorted their way up and down the keyboard, the Ritz-Carlton Ballroom was
filled with the sonic imprint of pieces that have graced thousands of concert
halls and chambers over two hundred years.
Questions and answers
The audience’s slight reluctance to
ask questions immediately afterwards in the scheduled Q&A session was borne
partly from awe at the spectacle. It’s not always easy to switch from
deeply-held states of musical appreciation into light-hearted banter, and Gargiulo
had to work hard to get the crowd involved as a result.
But he has the gangly charisma and
prism-minded ability to bring things back down to earth, and laughter was soon
ringing out as he riffed about learning the piano, arranging pieces and whether
the audience were on happy juice. Unguarded, Julian Gargiulo can evidently take
things a lot further in terms of cheekiness depending on the situation and
there were many moments of genuine mirth.
It ended on another trio of his own
design – Piano Sonata No. 1, Opus 6, which went down incredibly well. Gargiulo
enjoyed the moment before returning for an encore of Erik Satie’s Gymnopedie
No.1 – hardly a technical challenge for someone of his calibre but requiring
and demanding an enormous amount of emotional intelligence and empathy to be
successful. Those are elements on which any number of stand-up performers have
crashed, or flown, over the years in comedy clubs - and now concert halls, too.
Delighted
The evening was a fundraiser for
the Diabetes Support Group, Grand Cayman.
Treasurer and secretary of the group, Melissa McWatt, was delighted with the
evening.
“Julian has such a generous heart
to come from New York
to support our fundraiser for this very important cause. Because the event was completely sold out and
with the generosity of our sponsors, we raised in excess of $25,000.
“These funds will go directly
towards DSG Cayman juvenile programmes, including sending children to Diabetes
Summer Camps and to fund educational courses. We are so thrilled with the warm
reception we received from the community.
It was a great opportunity for our supporters to enjoy an exceptional
performance from Julian while also contributing towards such a worthy cause,”
she said.
Masterclass at First Baptist
Church, Friday 5 March
Friday morning saw Gargiulo lead a
group of lucky children through a masterclass workshop on classical music at
the First Baptist Church.
The youngsters were all high school students from years 7, 8 and 9 and they engaged
with the pianist very closely.
In attendance was Glen Inanga,
co-director of Cayman Arts Festival and world-renowned pianist.
“Julian Gargiulo really connected
with the kids, firing up their imagination from so many different angles to the
extent that I doubt that they will ever listen to a classical piano piece in
the same way again after this memorable experience,” he said.
Imagination
At the event the children variously
listened, interacted, made up stories to go with the songs and used their
imaginations in listening to the music. The pianist himself said that it was an
experience that was challenging but ultimately very fruitful for all concerned.
“You never know your audience until
you get on stage. This is especially
true when giving a workshop to students.
You have to be quick to change gears when something isn't working so you
won't lose the attention.
“I think they were very willing to
participate, to learn, to laugh and play along with what I gave them. Especially when I had them act out the different
themes in a Chopin Waltz to help them better understand the form of the
piece. Particularly impressive was a
high school student, Este, who offered an interesting story-line to a piece which
we then produced on the spot with me playing in the background. Kids never cease to surprise me with their
fresh imagination,” he told Weekender.
Multi-faceted
The New Yorker spent the weekend in
Cayman, an experience that was multi-faceted.
“The overall feeling I've had while
in Cayman was like being in an incredible dream. As I mentioned during the concert, ‘has
everyone been given 'happy pills?’
Everyone has been so great to me.
I would love to return the favour by having the entire island over to my
place in New York. I have a decent sized one-bedroom on the
upper west side so it should work out well if we do it in groups of three!”
joked Gargiulo.
He thanked Christina Rowlandson and
Melissa McWatt and said that he managed to pack in plenty during his time
on-island including swimming at Seven Mile Beach,
an evening boat ride to Kaibo, a helicopter ride over the island and getting to
see Stingray City.
“However, at the end of the day,
for me a place is much more about who to see than what to see. And that's what I'll take home with me. The warmth of the incredible people I met
while here!
“On Saturday evening I got to meet
some of the children with diabetes for whom we are raising funds, play for them
and talk some more with them – it was a wonderful time of bonding,” said the
pianist.
In fact, whilst waiting for the
kids to arrive, he hit a creative moment which could end up as a brand-new
composition.
“I was fooling around on the piano
and might have an interesting new theme.
I can't predict how it will develop but it's a start – I will keep you
posted,” the performer added.
(SPONSORS)
Butterfield, Caledonian, Cayman
National Bank, Caymanian Compass, Crighton Properties, Deagon Bay, KPMG, Ogier,
PricewaterhouseCoopers.
(DIABETIC
SUPPORT GROUP)
The Diabetic Support Group is a
network of persons with diabetes (and pre-diabetes) in the Cayman
Islands.
The general objective is to help
ensure we live a life as close to normal with diabetes – continue to work, have
children and live a long and healthy life by promoting diabetes education,
self-management and access to relevant care. Type 1 diabetics, many of which
are youngsters, participate in an annual family fun day.
Education materials sponsored by
the Diabetes Research Institute are provided freely via email or in print
format for both adults and children.
According to the World Health
Organisation, diabetes is a chronic condition that occurs when the pancrease
does not produce enough insulin or when the body cannot effectively use the
insulin it produces. Hyperglycaemia and other related disturbances in the
body’s metabolism can lead to serious damage to many of the body’s systems, especially
the nerves and blood vessels.
There are two main types of
diabetes. Type 1 is also known as juvenile-onset or insulin-dependent where the
body stops producing the insulin hormone that enables the body to use food
glucose. People with Type 1 diabetes require daily injections of insulin to
survive.
Type 2, adult-onset or non
insulin-dependent, is when the body does not produce sufficient insulin and/or
is insulin resistant, being unable to use insulin properly. This can occur in
people over the age of around 340, those who are overweight or with a family
history of diabetes. It is increasingly prevalent in adolescents.
People with type 2 diabetes can
sometimes manage their condition with lifestyle measures alone, but oral drugs
are often required, and less frequently insulin, in order to achieve good
metabolic control.
Most people with diabetes have type
2. Many of them have no symptoms and are only diagnosed after many years of
onset. As a consequence, almost half of all people with type 2 diabetes are not
aware that they have this life-threatening condition.
The diabetes blue circle pin is the
global symbol for diabetes and represents unity in the fight against the
condition.
"Butterfield is committed to
supporting initiatives associated with health issues, the arts and youth programmes
and this event uniquely captured all three.
We were very pleased to be part of such an inspiring evening and to know
that funding will be going to a very worthy cause."
Mike McWatt, Deputy Managing
Director, Butterfield
"As an organisation we are
pleased to support such a cause in the hope that children with this disease
will benefit from the opportunities to become better educated in order to have
a better understanding of how to manage and to live a normal life in spite of
the challenges that comes with juvenile diabetes.” - Claudia Welds, Corporate
Communications Manger, Cayman National
"It never ceases to amaze me
how Cayman can attract first class performers from around the globe. It was
truly an amazing performance." - Jim O’Neill, Managing Director,
Caledonian Bank Limited
“It was very
entertaining and his humourous interjections rather humanised the more esoteric
world of classical piano music.” – Brian Uzzell, Cayman Free Press
“An incredible evening! We expected
to enjoy a talented concert pianist and we were not disappointed! But we were
not expecting the humour and wit....an absolute entertainer! The night was fantastic!"
Paula McCartney, Crighton
"Unbelievable performance.
Julian’s passion in his music leaves the audience spellbound -sinfully romantic." - Tyson Chavez, Dragon Bay
"KPMG was very pleased to help
support the DSG. The concert was well
organised and tremendously enjoyable". Kevin Lloyd, partner, KPMG
"A magical evening of
exquisitely performed music, wit and humour. Julian Garguilo is seriously talented
- let's hope he returns to Cayman soon".
Peter Cockhill, Ogier
"PricewaterhouseCoopers is
honoured to have been able to assist the Diabetic Support Group of the Cayman Islands in putting on such a wonderful event for
such a deserving cause. Those attending from PricewaterhouseCoopers were truly
enthralled by Julian Gargiulo's performance and PricewaterhouseCoopers looks forward
to being part of other Diabetic Support Group fund-raising events in the
future." - Charles Bolland, PricewaterhouseCoopers
"Julian's performance raised
awareness of type 1 diabetes in the Cayman Islands
and Diabetic Support Group has also raised much needed funds for interventional
programming.I would like to thank Dr Rachna Chowla (a London-based GP) for
being the key link in helping make this happen.
“The Diabetic Support Group already
assists parents and their children with referrals to qualified diabetes care providers
in Miami and
sponsor participation in diabetes camps but with the funds raised we will be
able to help more of the young persons affected. In the future we would like to achieve a lot
more so the community will be hearing more about us in the coming year.
“Our programme interventions will
help in the prevention of complications and also help unite young persons in
fighting diabetes. Diabetes affects many persons here in Cayman and is a
worldwide epidemic.
"I would like to thank all the
Corporate Sponsors for coming on board to help make this performance happen and
for helping a cause that is so close to the heart of the Caymanian people"
- Christina Rowlandson MSc DIC, Diabetic Support Group, Cayman Islands
"Diabetes is a complex problem
that every year affects an increasing number of people. It taxes health care
systems; it strains families and can limit life’s enjoyment for sufferers. It
is part of the largest epidemic we are facing today which is the one of chronic
non-communicable diseases.
“But unlike for the flu and other
viruses, there are no vaccines for these. Instead, prevention lies in education
and the only way to protect ourselves from their impact is to choose to live
healthier lifestyles.
“I therefore commend the Diabetic
Support Group Cayman for taking on this silent disease through education and
support projects. I am especially pleased with their latest drive to establish
juvenile diabetes programmes." - Mark Scotland, JP, Minister of Health,
Environment, Youth, Sport and Culture